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  • The 2011 Nobel Prize for Literature: My Short List

    Out of the twenty writers named in my last post, here, in ascending order, are my top five choices for the 2011 Nobel Prize in Literature:

     

    5.  Tom Stoppard

    From Great Britain comes one of the world’s greatest living playwrights.  His work is characterized by extreme erudition, almost miraculous wordplay, and tremendous philosophical and moral depth.  Every Good Boy Deserves Favor, Rosencrantz and Gildenstern are Dead, and the epic The Coast of Utopia, are three of his most famous plays, but my personal favorite is The Invention of Love, about the poet A. E. Houseman, about his unspoken life-long love for a handsome young athlete, and by extension, about silences, the silence of lost classical texts, about the silence of what cannot be communicated through translation, both literal and figurative.  Here is part of a monologue spoken by one of Houseman’s associates, Walter Pater, the great critic, essayist and scholar.

    PATER: … The Renaissance teaches us that the book of knowledge is not to be learned by rote but is to be written anew in the ecstasy of living each moment for the moment’s sake.  Success in life is to maintain this ecstasy, to burn always with this hard gem-like flame. Failure is to form habits. To burn with a gem-like flame is to capture the awareness of each moment; and for that moment only. To form habits is to be absent from those moments. How may we always be present for them? — to garner not the fruits of experience but experience itself?—

    (At a distance, getting no closer, Jackson [the object of Houseman’s love] is seen as a runner running towards us.)

    …to catch at the exquisite passion, the strange flower, or art – or the face of one’s friend? For, not to do so in our short day of frost and sun is to sleep before evening. The conventional morality which requires of us the sacrifice of any one of those moments has no real claim on us. The love of art for art’s sake seeks to nothing in return except the highest quality to the moments of your life, and simply for those moment’s sake.

    JOWETT (Benjamin Jowett, Master of Balliol)  Mr. Pater, can you spare a moment?

    PATER:  Certainly! As many as you like!

     

    4.  Ludmilla Petrushevskaya

    I learned about this astounding writer from Russia a couple of years ago through an article by Jane Smiley in the New York Times Book Review.  She mentioned a book of stories called There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby: Scary Fairy Tales. It is, as the title would indicate, a collection like no other, a book of “nekyia” or “night journeys”, descents into the underworld, literal or social, in which one is never sure which reality is the more “real”. Last month, I read her short novel The Time: Night, published in the waning days of the Soviet Union, in which, through the voice of a woman on the edge, a poet trying to hold together her disintegrating family in one hand and her sanity in the other, she lays bare a desperation as harrowing as any I have read.  In addition to being one of the most preeminent authors and playwrights in Russia, she is also a popular cabaret artist. May all good things come to this over-the-top genius.  Here is the first paragraph of her story The Arm.

    During the war, a colonel received a letter from his wife.  She misses him very much, it said, and won’t he come visit because she’s worried she’ll die without having seen him.  The colonel applied for leave right away, and as it happened that just a few days earlier he’d been awarded a medal, he was granted three days. He got a plane home, but just an hour before his arrival his wife died. He wept, buried his wife, and got on a train back to his base – and suddenly discovered he had lost his Party card. He dug through all his things, returned to the train station – all with great difficulty – but couldn’t find it. Finally he just went home. There he fell asleep and dreamed that he saw his wife, who said that his Party card was in her coffin – it had fallen out when the colonel bent over to kiss her during the funeral. In this dream his wife also told the colonel not to lift the veil from her face.

     

    3.  Alice Munro

    What this great Canadian dredges up from somewhere near the sewer system of her character’s souls, and how she does it – by sticking unflinchingly to the apparent surface of things – makes her, to my mind, an unqualified genius. Her metier may be the declasse short story,  but she has so exploded that form, and in such an organic, un-showy way, that she sits comfortably along side any of the great innovators of fiction at work today. Then there is the service she does for her region, bringing Southwestern Ontario into international consciousness for the first time, as surely as Pearl Buck brought China to the West. Only, Munro has a far superior linguistic apparatus with which she does this. I don’t know anyone who packs so many layers of information into such short, unadorned sentences.

    In this passage, from the story The Bear Came Over the Mountain, a man, Grant, unable to care for his wife, Fiona, who has Alzheimer’s disease, has put her a nursing home, where, forgetting their long happy marriage, she falls in love with a fellow patient, Aubrey.  Aubrey’s wife has decided to remove her husband from the nursing home and care for him at home.  Grant sees his wife’s suffering and takes action:

    Then he took the plunge, going on to make the request he’d come to make. Could she consider taking Aubrey back to Meadowlake maybe just one day a week, for a visit? It was only a drive of a few miles, surely it wouldn’t prove too difficult. Or if she’d like to take the time off – Grant hadn’t thought of this before and was rather dismayed to hear himself suggest it – then he himself could take Aubrey out there, he wouldn’t mind at all. He was sure he could manage it. And she could use a break.

    While he talked she moved her closed lips and her hidden tongue as if she was trying to identify a dubious flavor. She brought milk for his coffee, and a plate of ginger cookies.

    “Homemade,” she said as she set the plate down. There was challenge rather than hospitality in her tone. She said nothing more until she had sat down, poured milk into her coffee and stirred it.

     

    2.  Philip Roth

    Yes.  I know: Sex. Frantic masculinity. A little misogyny, anyone? Endless rants.  But really, who in America writes like this? Sam and I frequently discuss him.  Sam’s concern is that Roth belongs to the “sex-as-salvation” family of narcissistic straight white male writers.  I contend that, to the contrary, his best work lays bare the sheer benightedness of such a theology. And not just sex, but all the signifiers of the “American Dream” – power, wealth, social acceptance – you name it, he gives the lie to it.  Far from being adolescent in his sensibility, as he is often accused, he takes down our adolescent country in prose as energetic and beautiful as any being written. Here, from one of my favorite American novels, The Human Stain, is what I mean:

    It was the summer in America when the nausea returned, when the joking didn’t stop, when the speculation and the theorizing and the hyperbole didn’t stop, when the moral obligation to explain to one’s children about adult life was abrogated in favor of maintaining in them every illusion about adult life, when the smallness of people was simply crushing, when some kind of demon had been unleashed in the nation and, on both sides, people wondered “Why are we so crazy?”, when men and women alike, upon awakening in the morning, discovering that during the night, in a state of sleep that transported them beyond envy or loathing, they had dreamed of the brazenness of Bill Clinton. I myself dreamed of a mammoth banner, draped dadaistically like a Christo wrapping from one end of the White House to the other and bearing a legend A HUMAN BEING LIVES HERE. It was the summer when – for the billionth time – the jumble, the mayhem, the mess proved itself more subtle than this one’s ideology and that one’s morality. It was the summer when a president’s penis was on everyone’s mind, and life, in all its shameless impurity, once again confounded America.

     

    1. Tomas Tranströmer

    Here is an example to illustrate why, to my mind, there is no greater living poet than this man from Sweden.

    TRACK

    2 A.M.: moonlight. The train has stopped
    out in a field. Far-off sparks of light from the town,
    flickering coldly on the horizon.

    As when a man goes so deep into his dream
    he will never remember that he was there
    when he returns to his room.

    Or when a person goes so deep into a sickness
    that his days all become some flickering sparks, a swarm,
    feeble and cold on the horizon.

    The train is entirely motionless.
    2 o’clock: strong moonlight, few stars.

     

    The award is scheduled to be announced this Thursday, October 6th. Until then, let the speculations fly. Who would it just make your week to see honored this year, and why?


  • The 2011 Nobel Prize for Literature: A Guide to the Season, and Twenty Prize-worthy Authors

    It’s Autumn, and the Nobel season is fast upon us.  Whether or not it be “of mists and mellow fruitfulness,” the fruit of some some lucky author’s labor has ripened at last and is about to drop from that great Northern branch.  The question remains, will it land in the favored one’s lap, or on  his or her head?  Or will the poor thing look up at the wrong moment and get it on the face?  All have been the case.

    “It makes no difference,” we say of the Nobel Prize. Quite rightly too – or at any rate with rectitude.  “No Tolstoy, no Woolf, no credibility.” Yet we know full well that such protestations are nothing but the posturing of a twelve year old  trying to be canny about Christmas. In spite of our good sense, our heart rates run on sensibility, and the Nobel is nothing if not a tanker of sensibility. And so we find ourselves a little charged, a little addled from about the first of October until announcement day, as if something of actual importance were afoot, as if  Stockholm really were Olympus, as it claims. As if there really were a Santa Claus.

    When the winner is announced, there are really only three possible responses: “Who?” “Why?”, or, rarer, “Why, of course.” Last year’s winner elicited all three. I remember just where I was and what I was doing when I first learned that the award had gone to Mario Vargas Llosa.  I was at the gym,  hamstering on the treadmill.  I glanced up at the nearest hanging television screen which happened to be tuned to CNN, and caught handsome Don Lemon telling Wolf Blitzer, standing across the high-gloss newsroom set, “This year’s Nobel Prize for Literature has been awarded to…some guy from Peru…Mario Vargas…Yeosa.  Where do they find these guys?” A fun variation of “Who?”.

    I also remember Sam’s reaction when I got home and told him. “You’re kidding,” he said.  “That’s ridiculous!” The only time I have seen him more indignant about the Nobel was after reading The Golden Notebook, a book which ignited in him a fond loathing for Doris Lessing.  His response illustrated the “Why?” position. I happened to think Vargas Llosa was a logical choice. “Why, of course.” Only, my heart went out to Carlos Fuentes, the Latin American author I would have preferred to see win.  “No doubt, he’ll be out with a bad case of the flu for the rest of the month.” “For the rest of his life,” Sam rejoined. All this indicates a potential fourth response, one that draws on the flavor of all three, the “Oh. So that’s how it is,” response, generally followed by the “Maybe next year…” response.

    But, I’m getting ahead of things. Right now it is time to celebrate caprice (see my first post: “The Nobel Prize: In Defense of Caprice” 2/26/11), or, as commenter Andsnes said, to move, intellectually, as children at play “in curvilinear ways.” For example, one member of the Shelfari discussion group (see link) put forth some most unexpected names as Nobel contenders: Hillary Mantel, Geraldine Brooks, Jhumpa Lahiri, fine writers all, but none of whom I would have connected to the Nobel.  And yet, it is a moment of play, that disconnect, like the mechanics of a good joke, so critical to our psychological health. I am all at once confronted with the question of why their names would not occur to me.  But they did occur to someone else. How interesting. Or, how about this one:  I have a friend who thinks it should go to Terry Pratchett.  Honestly!  Now, I can call that for the absurdity it is,  and yet I must affirm the spirit of play in which the suggestion was made. There is a touching exuberance with which we who worship our books project our own hopes and dreams onto our favorite authors, expecting them to reflect well-being back to us. What better for my friend than Terry Pratchett winning a Nobel.  It would feel like winning one himself.

    On LibraryThing, I’ve been trying to work out with a couple of members just why they think Ngugi wa Thiong’o, worthy as he is for his use of his tribal language, would make a better African choice than Chinua Achebe, really the progenitor of the very concept of African literature destined for the world stage. This kind of go-around is, to me, the true worth of the Nobel Prize. Rather than some self-serving imprimatur, The Nobel Prize for Literature is an arms-flung-wide invitation for all of us who thrive on our reading to play with our intellectual food.  This is not frivolous.  Its how we get a grip on who we are, what we think, what holds meaning for us.

    To get the party started, Here is my long list, twenty authors I would love to see win this year.

     

    My Long List:

    1.   Chinua Achebe (Nigeria)

    2,   Adonis (Lebanon)

    3.   Antonio Lobo Antunes (Portugal)

    4.   Bei Dao (China)

    5.   Annie Dillard (United States)

    6.   Carlos Fuentes (Mexico)

    7.   Ismail Kadare  (Albania)

    8.   Gyorgy Konrad (Hungary)

    9.   Milan Kundera (France)

    10.  Cormac McCarthy (United States)

    11.  Javier Marias (Spain)

    12.  Alice Munro (Canada)

    13.  Les Murray (Australia)

    14.  Cees Nooteboom (Netherlands)

    15.  Amos Oz (Israel)

    16.  Ludmilla Petrushevskaya (Russia)

    17.  Philip Roth (United States)

    18.  Tom Stoppard (Great Britian)

    19.  Tomas Tranströmer (Sweden)

    20.  William Trevor. (Ireland)

     

    Next week I’ll give you my shortlist, my top five choices, with a sentence or two about why I think they are especially deserving. But, for now, its your turn. Don’t be bashful. It doesn’t suit you.  You have opinions. The “comments” icon is right here. Share your list.