Test Your Nobel Knowledge: A Mystery Passage in a Time of Advent

He needs to be accompanied when addressing the short flight of stairs up to the bedroom or down to the main level, but he manages them without assistance. The ability to do so was one of the criteria for discharge. Sam is home. He is not able to do much yet, but, after more than a month in the hospital, and another full month in rehab, this not much he can now do at home. And there is so much that he wants to do. It is the season of Advent. Waiting.

I had intended to tell you about reading Nadirs. In my last post I shared some of the feeling of amazement I experienced when my friend Viet presented me with an autographed copy of this book. This time I wanted to tell you about the book itself, about Herta Müller’s dark vision put forth in these almost gruesomely denuded – I lack, at the moment, a better term – stories. I even had the following opener all worked out: “Be careful, when you pick up a copy of Nadirs and start to read, that you don’t crack a tooth.” But life at our house has only just scrabbled to the far side of a rather deep nadir of its own, and still strains against a new rhythm relentlessly beaten out by bare physical need: gauze, urinal, cane, medicines, pill crusher, syringe, and learning to fall asleep to the sound of a feeding tube pump – and life rebels, wanting vantage. Müller’s thin, grim first volume, as good as it is, is not for now. Not yet.

While Sam was away, I consoled myself by reorganizing the portion of our personal library that lives in our room. So that yesterday, while getting dressed, my eye fell on… I’m not going to tell you what my eye fell on, at least not yet, except to say that it is one of the great reading experiences I know. And I thought how no one else I know has had it. And it occurred to me that it was just what the times require, and that I haven’t posted a Nobel mystery passage in a very long time.

Those of you who were following this blog last year will remember how this works: First, read the passage below, taken from the novel’s first chapter. Then turn yourself loose. Share your thoughts. What do you hear? How does it strike you? Any guesses what country the author is from? Does it trigger any memories? Does it remind you of anything else you’ve read? Does it make you curious, or does it repel? Do you have a guess as to who the author is? Think you might know the title? Have you, by chance, read the book? Right answers are far less fun than wild speculation and surmises, why you might make a certain guess more interesting than the guess itself. Please ask for clues.

And speaking of clues, here is one: A careful ear will hear that this writing belongs to the first half of the Nobel Prize’s one hundred and twelve year history rather than the second. Best to lose, for the moment, whatever imagined need you might have for post-modernist irony.

In the bed by his mother’s side the child was stirring again. An unknown sorrow had risen from the depths of his being. He stiffened himself against her. He twisted his body, clenched his fists, and knitted his brows. His suffering increased steadily, quietly, certain of its strength. He knew not what it was, nor whence it came. It appeared immense,— infinite, and he began to cry lamentably. His mother caressed him with her gentle hands. Already his suffering was less acute. But he went on weeping, for he felt it near, still inside himself. A man who suffers can lesson his anguish by knowing whence it comes. By thought he can locate it in a certain portion of his body which can be cured, or, if necessary, torn away. He fixes the bounds of it, and separates it from himself. A child has no such illusive resource. His first encounter with suffering is more tragic and more true. Like his own being, it seems infinite. He feels that it is seated in his bosom, housed in his heart, and is mistress of his flesh. And it is so. It will not leave his body until it has eaten it away.

His mother hugs him to her, murmuring: “It is done— it is done! Don’t cry, my little Jesus, my little goldfish….” But his intermittent outcry continues. It is as though this wretched, unformed, and unconscious mass had a presentiment of a whole life of sorrow awaiting him, and nothing can appease him….

The bells of St. Martin rang out in the night. Their voices are solemn and slow. In the damp air they come like footsteps on moss. The child became silent in the middle of a sob. The marvelous music, like a flood of milk, surged sweetly through him. The night was lit up; the air was moist and tender. His sorrow disappeared, his heart began to laugh, and he slid into his dreams with a sigh of abandonment.

I look forward to hearing from you.

Yes, you.

One Response to Test Your Nobel Knowledge: A Mystery Passage in a Time of Advent

  1. I happen to know this passage, but something intriguing came to mind as I thought about it: the analogy stylistically to music. These sentences “sound” to me like the long lush lines of a romantic symphony…say the Brahms First. Compare the terse, sharply phrased sentences of modern fiction. Webern with his brevity and walk on the edge of silence comes to mind. Or the chromatic twisted lines of Bartok’s Music for Harp, strings, and celeste made me think of the book I’m currently reading: The Gospel according to Jesus Christ by Jose Saramago’ I had never before thought about rhythm in fiction. Thanks for this chance.